Moving between two intertwined relationships—one with a mother, whose illness draws them into cycles of travel and reflection, and the other with a lover, a relationship built through a shared visual language of intimacy, perception, and presence.
Shifting between landscapes—airports, trains, bodies of water, city streets, and quiet nature—time becomes fluid. The film captures the tension between closeness and distance, presence and absence, holding on and letting go.
Through poetic, observational images, fragmented gestures, and an immersive soundscape, the film does not explain but submerges the viewer in the raw experience of love, grief, and selfhood. Words are scarce, silence is charged, and memory is felt through rhythms of movement, touch, and light.
Eventually, the mother passes, and the relationship with the lover, once deeply felt, begins to shift. The film does not provide resolution but lingers in the spaces where love and loss blur, offering a meditation on impermanence, intimacy, and the echoes people leave behind.